ABOUT THE STUDIO
I DON'T CREATE
SKATEBOARDS.
I create wall artworks on skateboard decks. Triptychs designed as collectible pieces, between contemporary art, skate culture and interior design.
ACIDOLOGY WAS BORN FROM AN OBSESSION WITH IMAGE, MATERIAL AND OBJECT.
I have always been drawn to visuals that hold the eye: sharp contrasts, acidic colors, strange compositions, and forms that seem to mutate or distort.
With Acidology, I wanted to take the image beyond the classic frame. The skateboard immediately felt obvious: a raw, graphic, cultural object already charged with energy. Its shape, curve and wood bring a physical presence that print alone would not have.
Each triptych is designed as an artwork in three acts. Three decks, three fragments, one composition. The goal is not to decorate a wall at random, but to create a strong focal point inside an interior.
A PASSION-DRIVEN APPROACH
I see Acidology as an independent art project: each series starts from a strong visual idea, then builds around a universe, a tension and a material.
I want each piece to feel halfway between a gallery artwork, a collectible object and a fragment of skate culture.
SKATE AS A MEDIUM
The deck is not used as a simple decorative object. Its shape, wood and silhouette are part of the artwork.
THE TRIPTYCH AS LANGUAGE
Three decks create a visual narrative: progression, rupture, transformation, mutation or graphic echo.
THE COLLECTOR PIECE
Each artwork is created as a limited series, signed, numbered and supplied with a certificate of authenticity.
VISUAL UNIVERSE
MATERIAL.
GESTURE.
NARRATIVE.
PRESENCE.
Acidology explores the tensions between natural and artificial, raw and digital, the calm of a contemporary interior and the visual impact of an artwork with real presence.
Each collection develops its own language — line, landscape, figure, abstraction or memory — with one constant intention: transforming the skateboard deck into wall art with real presence.